ENSONIQ ASR-10 Spécifications Page 131
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Noté. / 5. Basé sur avis des utilisateurs
I
SP-3 SCSI interface Manual
File Paths
It is helpful to have an understanding of how the ASR-10 keeps track of all the files that can be on
a large Instrument disk like a CD-ROM.
Example Directory Structure
ROOT Directory
I
I
I
I
1
-
SOUNDS 2
-
SEQUENCES 3
-
BANKS
4
-
SYSEX
+~ZLJOUNDS+Z$Y
SEQS
1
-
FACTORY SNDS
GRND
PIANO 1
-
FEZBASS
-
OR3
SIRINOG
--lPERCUSSON
(Directory)
1
-
STEFEO
DRA4.S
2
-
PWClJSSlON
1
L
I-GFWNDSONG
If we were to describe the location of the factory sound STEREO DRUMS in the Example
Directory Structure diagram above, we might say:
“The STEREO DRUMS instrument file is in the PERCUSSION directory, within the FACTORY
SNDS directory, which is in the SOUNDS directory, which is in the ROOT directory, which is on
the SCSI 1 Storage Device.”
If we read the description from right to left, starting with the SCSI Storage Device, it becomes:
SCSI 1..ROOT..SOUNDS..FACTORY SNDS..PERCUSSION..STEREO DRUMS
This description of the location of the file is called a file path. This is the path that the ASR-10 will
follow to find the file. If you use an IBM PC/Compatible
running MSDOS, you may already be
familiar with file paths (e.g., C:\SOUNDS\FACTORY SNDS\PERCUSSION\STEREO DRUMS).
On a Macintosh computer, or an IBM PC/Compatible
running Microsoft Windows, the file path
would correspond to the cascade of the folders you would open to locate a file.
Bank Files
You may already be familiar with the concept of using Bank files to load a group of instruments,
presets, and/or sequences with a single command. The demos on the factory disks are a good
example of Bank files. If you are not familiar with Bank files, please refer to the Musician’s
Manual for an explanation.
Understanding the use of Bankfiles is very important if you want to get the mostfrom
yozu
ASR-IO SCSI
Storage Device system.
Banks are particularly useful in conjunction with SCSI Storage Devices because they can vastly
simplify the process of loading a set of files that may come from many different directories.
Every time you load an Instrument or a Song file, the ASR-10 remembers the file path that was
used to find the file. When you save a bank, the ASR-10 saves the file path for every loaded
Instrument and the currently loaded Song, according to where it was loaded from.
When you load the Bank file, the ASR-10 will know where to find each Instrument and Song file,
even if you have multiple SCSI Storage Devices, regardless of which directory the bank file is
ENSONIQ ASR-10 Version 3 Operating System
121
- ENSONi’a]‘” 1
- READ THIS FIRST! 2
- Advanced Sampling Recorder 3
- Version 3 Operation System 3
- Table of Contents 5
- Troubleshooting 8
- List of Tips 10
- What’s New in 3.0 11
- What’s New in 2.5 11
- What’s New in 2.0 11
- What’s New in 1.5 12
- Backing Up the O.S. Disk 13
- Introduction 14
- New Command/Instrument Pages 15
- How To Import Akai Samples 16
- LOAD DEVICE 16
- F'RRTITI2r"l=X 16
- PARTITION 16
- RANGE LO HI Ranges: 17
- NEW NAME 18
- RM2THER? 18
- (ENTER-YES] 19
- DEVItE=XXXXXX 20
- RANGE LO HI 21
- II”)PORTII”IG 21
- Memory Limitations 23
- Layer Limitations 24
- Final Suggestions 25
- New System*MIDI Parameters 27
- ENTER-YES). YOU 28
- ENTER-YES) button. You have 28
- ENTER-YES]. The WaveSample 28
- NTER-YES) repeatedly, and 28
- BRCKUPIREST08E 29
- Please Note the Following! 30
- Caution!Caution! 30
- Sample DAT 31
- What You Need To Get Started 32
- SCSI Review 33
- DAT BACKUP 34
- Select the DAT BACKUP Command 35
- Go Ahead 35
- RECORD-ENTER 37
- COflPLETE 37
- SYSTEM STOP 38
- VERIFY,----OF 38
- DAT RESTORE 39
- DAT VERIFY 40
- User Retry 41
- COMMAND) 42
- Audio Track Recording 43
- Give It a Try! 43
- An Audio Track Tutorial 43
- Play Along with the Sequence 44
- Record Your First RAMTrack 45
- Press Play and Enjoy! 45
- Master Directly to DAT 45
- Save your Work 45
- Caution: 46
- GI’SK-HIT EMTER 47
- Infernal RAM Memory 48
- Types of Audio Tracks 49
- Song Audio Tracks 50
- All About Memory 51
- DiskTrack 53
- recording: 53
- Auditioning DiskTracks 56
- PLRYIREC=OFF 57
- 1 or 2 Inputs? 58
- INPUT+FX Signal Chain Routing 60
- MAIN-OUT Signal Chain Routing 61
- ENTER-YES) (when the 62
- Audio Tracks in “Chain Play” 63
- Which Track is Selected? 64
- Tie the Jack to the Track 64
- Overdubbing 65
- Amalgamation 66
- Audio Triaaer event: 69
- Bounce-Down 71
- Bounce-Down 72
- 240-2 Bounce-Down 72
- Notes on Bounce-down: 72
- Song Audio Track 73
- Audio Track Storage 74
- .&ution: 75
- BRNK MRIIE=RJRK JUT 76
- DELETE EL 76
- L’ERSIEN? 76
- Deleting: 79
- To Delete a RAM AudioSample: 79
- Delete a SCSI AudioSample: 79
- SRL’E GL3BRL 81
- PRRRflETERS 81
- 72 ENSONIQ 82
- New Sequencer Parameters 83
- COMMAND) will leave them 86
- New (Audio) Track Parameters 87
- RSf:PLNFI17E=RS::PL--u”CO3U 88
- RflE=‘U1‘1CEFI1”1ED* 88
- AUDIO TRACK) button) 91
- Caution:Caution: 92
- System Optimization Tips 95
- AudioSample Specs 95
- INSTRUMENT), and 97
- ENTER-YES to begin 97
- ENTER-YES), or selecting an 99
- ENTER-YES) 100
- Effect Parameters 102
- Additional Effect Parameters 116
- SP-3 SCSI Interface Manual 117
- Getting Started 118
- SCSI Terminators 119
- ~.WZllTliilg: 121
- Selecting the Storage Device 123
- ENTER-YES) 125
- Managing Disk Files 127
- Directories 128
- Directory Commands 129
- Directory Recommendations 130
- I I I I 1 130
- File Paths 131
- Bank Files 131
- Direct-MacrosTM 132
- TRACK) locations contain 135
- INSTRUMENT), and continue 137
- Limited Warranty for the SP-3 138
- What is the DI-10 Digital 139
- Interface? 139
- About the Digital Input 139
- Easy All-Digital Sampling 140
- Starting to Record 141
- Normalizing Gain 142
- Default Output Routings 142
- About the Digital Output 142
- DI-10 Appendix 143
- DI-10 Digital 144
- Glossary 145
- Version 3 Index 147
- DEFINITION 101 148
- MAIN-OUT48,61 150
- SAVE THESE INSTRUCTIONS 153
- EN50NiPI”’ 154
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