ENSONIQ ASR-10 Spécifications Page 86
- Page / 154
- Table des matières
- DEPANNAGE
- MARQUE LIVRES
Noté. / 5. Basé sur avis des utilisateurs
Sequencer and Audio Track Parameters
How Audio Tracks Function in Command and Edit Modes
There are two sets of track commands and track edit parameters: Sequence Track
commands/parameters, and Audio Track commands/parameters.
Which command or edit parameter you will see is based on whether an Audio Track or an
Instrument*Sequence Track is selected.
l When an Audio Track is selected in Command and Edit modes, the Audio Track’s Selected
LED will be solidly lit, and the currently selected Instrument~Sequence Track’s Selected
(yellow) LED will
flash.
The solidly selected track is always considered the target for
Command/Track commands:
1
Note-
Although the rack-mount
ASR-10
button and LED placement is different
than the keyboard ASR-10, the
functionality is identical.
1 2
3
4 5
InsLwmenfs
6 7
0
A
B
Audm Trecks
Sequence Tracks
If the Audio Track LED is solidly selected, and
Instrument*Sequence
track LED is flashing selected, the Audio Track commands and Edit
parameters will be displayed.
I
l Selecting an Instrument*Sequence Track in command mode will de-select both Audio Tracks.
Note-
Although the rack-mount ASR-10
button and LED placement is different
than the keyboard ASR-10, the
functionality is identical.
A
8
Audlo Tracks
If the
Instrument*Sequence
Track LED is solidly selected, the Audio
Track LED is de-selected, and the
InstrumentGequence
Track
commands and Edit parameters will be displayed.
l When both Audio Tracks are selected in LOAD mode, pressing (COMMAND) will leave them
both selected
-
one Solidly Selected and one Flashing-Selected. The Solidly Selected Audio
Track is always considered the target for Command/(audio) Track commands.
76
ENSONIQ ASR-10 Version 3 Operating System
- ENSONi’a]‘” 1
- READ THIS FIRST! 2
- Advanced Sampling Recorder 3
- Version 3 Operation System 3
- Table of Contents 5
- Troubleshooting 8
- List of Tips 10
- What’s New in 3.0 11
- What’s New in 2.5 11
- What’s New in 2.0 11
- What’s New in 1.5 12
- Backing Up the O.S. Disk 13
- Introduction 14
- New Command/Instrument Pages 15
- How To Import Akai Samples 16
- LOAD DEVICE 16
- F'RRTITI2r"l=X 16
- PARTITION 16
- RANGE LO HI Ranges: 17
- NEW NAME 18
- RM2THER? 18
- (ENTER-YES] 19
- DEVItE=XXXXXX 20
- RANGE LO HI 21
- II”)PORTII”IG 21
- Memory Limitations 23
- Layer Limitations 24
- Final Suggestions 25
- New System*MIDI Parameters 27
- ENTER-YES). YOU 28
- ENTER-YES) button. You have 28
- ENTER-YES]. The WaveSample 28
- NTER-YES) repeatedly, and 28
- BRCKUPIREST08E 29
- Please Note the Following! 30
- Caution!Caution! 30
- Sample DAT 31
- What You Need To Get Started 32
- SCSI Review 33
- DAT BACKUP 34
- Select the DAT BACKUP Command 35
- Go Ahead 35
- RECORD-ENTER 37
- COflPLETE 37
- SYSTEM STOP 38
- VERIFY,----OF 38
- DAT RESTORE 39
- DAT VERIFY 40
- User Retry 41
- COMMAND) 42
- Audio Track Recording 43
- Give It a Try! 43
- An Audio Track Tutorial 43
- Play Along with the Sequence 44
- Record Your First RAMTrack 45
- Press Play and Enjoy! 45
- Master Directly to DAT 45
- Save your Work 45
- Caution: 46
- GI’SK-HIT EMTER 47
- Infernal RAM Memory 48
- Types of Audio Tracks 49
- Song Audio Tracks 50
- All About Memory 51
- DiskTrack 53
- recording: 53
- Auditioning DiskTracks 56
- PLRYIREC=OFF 57
- 1 or 2 Inputs? 58
- INPUT+FX Signal Chain Routing 60
- MAIN-OUT Signal Chain Routing 61
- ENTER-YES) (when the 62
- Audio Tracks in “Chain Play” 63
- Which Track is Selected? 64
- Tie the Jack to the Track 64
- Overdubbing 65
- Amalgamation 66
- Audio Triaaer event: 69
- Bounce-Down 71
- Bounce-Down 72
- 240-2 Bounce-Down 72
- Notes on Bounce-down: 72
- Song Audio Track 73
- Audio Track Storage 74
- .&ution: 75
- BRNK MRIIE=RJRK JUT 76
- DELETE EL 76
- L’ERSIEN? 76
- Deleting: 79
- To Delete a RAM AudioSample: 79
- Delete a SCSI AudioSample: 79
- SRL’E GL3BRL 81
- PRRRflETERS 81
- 72 ENSONIQ 82
- New Sequencer Parameters 83
- COMMAND) will leave them 86
- New (Audio) Track Parameters 87
- RSf:PLNFI17E=RS::PL--u”CO3U 88
- RflE=‘U1‘1CEFI1”1ED* 88
- AUDIO TRACK) button) 91
- Caution:Caution: 92
- System Optimization Tips 95
- AudioSample Specs 95
- INSTRUMENT), and 97
- ENTER-YES to begin 97
- ENTER-YES), or selecting an 99
- ENTER-YES) 100
- Effect Parameters 102
- Additional Effect Parameters 116
- SP-3 SCSI Interface Manual 117
- Getting Started 118
- SCSI Terminators 119
- ~.WZllTliilg: 121
- Selecting the Storage Device 123
- ENTER-YES) 125
- Managing Disk Files 127
- Directories 128
- Directory Commands 129
- Directory Recommendations 130
- I I I I 1 130
- File Paths 131
- Bank Files 131
- Direct-MacrosTM 132
- TRACK) locations contain 135
- INSTRUMENT), and continue 137
- Limited Warranty for the SP-3 138
- What is the DI-10 Digital 139
- Interface? 139
- About the Digital Input 139
- Easy All-Digital Sampling 140
- Starting to Record 141
- Normalizing Gain 142
- Default Output Routings 142
- About the Digital Output 142
- DI-10 Appendix 143
- DI-10 Digital 144
- Glossary 145
- Version 3 Index 147
- DEFINITION 101 148
- MAIN-OUT48,61 150
- SAVE THESE INSTRUCTIONS 153
- EN50NiPI”’ 154
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