ENSONIQ ASR-10 Manuel d'instructions télécharger pdf (Page 115)

Section 6 — Effect Parameters ASR-10 Musician’s Manual

10 Edit/Effect Parameters

ROM-22 NLIN REVRB 1

ROM-23 NLIN REVRB 2

ROM-24 NLIN REVRB 3

Non Lin Reverbs can be used to obtain blooming reverb, gated reverb, reverse reverb and early

reflections. In general, they do not produce an exponentially decaying reverb. Unlike the Hall,

Room and Plate reverbs, NLIN REVRB 1, 2, and 3 pass the input signal through the reverb

diffusers only once. For this reason the reverb diffusers are called Density, to distinguish them

from the other reverb diffusers (called Definition). Density controls the amount of echo density,

as opposed to the rate of increase of echo density. Other reverbs give limited control of early

reflections. The Non Lin reverbs purposely impose a coloration on the resulting sound. The

BUS1 and BUS2 parameters can be routed into the effect with different Dry/Wet mixes.

• NLIN REVRB 1 is optimized for shorter duration effects (approx. 0.5 sec.)

• NLIN REVRB 2 offers approx. a 1.5 sec. duration

• NLIN REVRB 3 is sonically similar to NLIN REVRB 1, but there is less stereo movement,

making it better suited for drum tracks

Non Lin Reverb Signal Routing

Echo Time Echo Time

Diffuser

LPF

Main

Outputs

Density

LPF

Echo Time

Density

BUS1 Left

BUS2 Left

BUS1 Right

BUS2 Right

The signal goes directly through a diffuser which smears the signal. The signal is then routed to

a decay diffuser, known as Density, and is diffused over a period of time. Within the density the

signal goes through a high-frequency damper. The signal is then routed to the output. After the

density, the signal passes through a low pass filter. There are two echo times between the

diffuser and the density. There is also an external dry signal (not shown) that goes directly from

the input to the output (BUS3). The BUS1 and BUS2 MIX parameters can be routed into the effect

with different Dry/Wet mixes.

The parameters available for the Non Lin Reverbs are:

TIME

ENVELOPE LEVEL 1

ENVELOPE LEVEL 9ENVELOPE LEVEL 2

SIGNAL

LEVEL

ENV LEV (1 to 9) Ranges: 0 to 99

These parameters control the output tap levels sequenced in time across the density from input to

output. Envelope Level 1 is tapped right after the diffusers and before the echoes (see the

diagram). If this is undesirable, set ENV LEV1 to 0. Envelope Levels 8 and 9 are positioned at

the very end of the Density; setting these too high can cause excessive ringing. Envelope Levels

8 and 9 are also very dry. Set all nine tap levels to find the envelope for your application. We

recommend the average Envelope Level not to exceed a value of 45 to prevent overdriving these

reverbs.

HF DAMPING Range: 0 to 99

HF DAMPING is located within the density. This parameter selects the amount of high

1 2 ... 110 111 112 113 114 115 116 117 118 119 120 ... 389 390

Commentaires sur ces manuels

Pas de commentaire

ENSONIQ ASR-10 Manuel d'instructions Page 115

Commentaires sur ces manuels

Produits connexes et manuels pour Pianos numériques ENSONIQ ASR-10